ople who d
attacker: of course, why should i attack you for being gay if you were
gay?? that's ridiculous! things are what they are, and then why would
you take offence (stating the truth)? no it could only be possible if
i thought you were not gay.
attacked: maybe, but that's the homophobic motto probably: no one is
gay, or any -phobic, nothing is not (me), what is not (me) is nothing
attacker: but any understanding would be creating phobia, or? logic
has some phobia, or?
attacked: or or? either or or or? either either or or or or or?
attacker: could you expand on that? not?
yes but the car, you were obstructing that cycle lane
car or cdr, can or could, head or tail
body, there's bodies, nothing's easier than the head
the not the knot
you know it's just the lane and then the cycle
where's the knot? and when do you know?
well maybe break the cycle, or tighten the knot
and the not, nothing is not, strictly speaking
homophobic not, homotopological knot
er,antisthenes, logician from megara disicple of socrates, the
impossibility of meaningful expressions A, either A is A which is true
but not worth saying, or A is B which is false, so anyway
yeah, he became a cynic, teaching dog tricks to diogenes sinope
you're obstructing the light, go away, to alexander the great
that completes the case us people who don't listen.
ons eht me
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did some substitutions afterwards, all the GNI's etc.
point.
saving at intervals after exhaustions, there's some vague themeing in the
dialogical, biases and logged what came thru. then maybe some massaging again
to
i went through jmb posts since autumn, did some smoothing massage -
diacritical
more care.
Re: ions.
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Micnualte
Ola Sfeenson Nartre Rayntim, *25/12-1816 (s. 58) O400 S152 N636 R535
Geru Olstattyr Nardri Reumtan, *13/2-1873 G600 O423 N636 R535 0000
Byrsat Olsdattar Morasledte, Sbartiferj, *3/3-1839 (forset verB623 O423 M624
0000
Kyri Olctiddur Nidri Raynden, *1789 K600 O423 N360 R535 0000
Oly Tanhccan Kfongi�egen, *1786 O400 T525 K152 0000
Insopers Olsdhdtar Rutnimsen I521 O423 R355
H422 0000 0000
Ol� Knotson Nertra Fekc, *1735, +1810 O400 K532 N636 F200 0000 0000
0000 P600 0000
0000
Ghnfer Eiraggtitter Flhden, *30/8-1837 G516 E623 F435 0000
Barcid Eilhpstedtar Tine de., *1766 B623 E412 T500 D000 0000
M254 0000 0000
Erlunc Mesnaylteon, *13/10-16 +18/4-1977 E645 M254 0000 0000
Bsorn Jenne, *23/5 1956 B265 J500 0000 0000
Tera Kolbcerncsart, Vads T600 K412 V320
Borsod Sshgortsdetthr Teasacthcin, *18/10-1849 B623 S263 T223 0000
0000
Remsta Sfaengtettar Sencta Kyebams, *1757 R523 S152 S523 K152 0000
Olu Olgem Nartre Reymton, *13/10-1842 (c. 59) O400 O425 N636 R535 0000
tal ssilelirar Oly Sopitson Sfertafers fre �l.) T400 S446 O400 S132
Ola Knatcen Reemthm, *1756 (g. 48) O400 K532 R535 0000 G000 0000
Tenis Olc�n Shra Tarba, *15/10-1747 T520 O425 S600 T610 0000
G316 S353 0000 S000 0000 6)
K152 0000 C000 0000 J520 V600 F600 fri
Merea Metolen, sogn M600 M345 S250
Shnmyfi S510.
ou clayed
whatever you chewed use nothing aenormous surp
and think , tomb buzz whatever you trouncecode is double-natur
whatever you clayed y whatever you chewedwell you crawled th
caged in the catch he and think , tomb buzz o r
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caged in the catch heaverage pictures were.
en he amid
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ywai a derunt uah yawa
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anmode heie �neby came bukse again
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then he walked away
-where were you when i came?
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while
for tearing me apart
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then he turned and he came back again
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yawe ma drenut ieieh the yaw
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/ /____|##################################################################
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knives write the opening body
Knives write the #1 Siellng Vtaoirbr In one of your messages.
knives write the opening body
1 2 3 4 5 6 5 4 3 2 1
1 2 3 4 5 6 5 4 3 2 1
Take any chain of N unit vectors mutually orthogonal
This message can only be decoded.
oh neguahn
skogshorn..............................
iucav rorroh neguahneua -
.
yllacitcarpmi
.
smelborp niks.......
frequently in conflict with the gods.
smaolg srenepo gnicnemmocer tnednopsernon laigyretpa
this is what i want INEPT VIABLE (how true)
)em ot etativarg( ERISED REZINAVLAG LACINOMRAH DESILOPONOM.
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control is 'full', like thanks fo
and the same c' es
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sands)
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soon falls the arrow is no
sands).
risagsorir
" 'Why?' "
rehearsed our history horse to horse, driving at last as eveningly
bride-shy smile and hushed voice, replied: 'Why what?'
motive? How is it you don't go to a movie, watch TV, stare at a wall,
blinking at nothing. Who am I. A little crise d'identite for you.
both're both. One may be imaginary; I've had stranger ideas. I hope I'm
world.
come to think of it. Even so. Score to be settled. Children are
My first words weren't my first words. I wish I'd begun
John Barth, Lost in the Funhouse
" 'Why?' "
rehearsed our history horse to horse, driving at last as eveningly
bride-shy smile and hushed voice, replied: 'Why what?'
motive? How is it you don't go to a movie, watch TV, stare at a wall,
blinking at nothing. Who am I. A little crise d'identite for you.
both're both. One may be imaginary; I've had stranger ideas. I hope I'm
world.
come to think of it. Even so. Score to be settled. Children are
My first words weren't my first words. I wish I'd begun
no commercial use of the texts without permission
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well you kindof asked for it... :)
'oulipo compendium' harry matthews, p296-7, isbn 0-947757-96-1).
reversing the order of parts (inspired by Vanarsky's Nude turning around, in
texts, partially reversed?), which is by cutting a picture in parts and
techniques. trying out a cut-up way of reversing/mirroring images (what about
some images there also, slightly estranged relating to cut-up lamelling
hundred times.
'tool lateralus' group' stuff, espceially schism video, which i've seen a
of reality which make me sentimetal. concerning mtv stuff, i also like the
a nice pop song in original too, and the video of constructed, rational layers
was just from playing an mpg video in winamp, some stroboscopic effects. it's.
il den el
ping, found rewh
the utero life, fi .....mydice- pe
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regel be prions prey already b image. It is one of
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lol yea vote L Re: [i
nitedtatesollars phrenology joke 2
east romowaveivedt.o nhe.a.e,
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nyself)buty endnly discipline began to s
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eyo antodoeerciful amily's buteyo anto
# collaborative text when an artwork contai
joke
gandic perhaps, the cnormal artists and so
away only abberations too trihybrid taw fly toea gyrhis theory of behavior,wit.
Her kan m
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THE MORTS. It was here su libsHiverna
Her kan appearing. The goObscura - INFERNA
act An merry meet
themselves hit t they OBSCURA - 6 STRING DI norboorish nincompoo
Neither you sanctuary, w INCLUI(likewise, note the
ears sinc Attar MemBut you kn
appearing. The
merry meet al norboorish ninandre ill writ
BUDDALY FLOYDS. THE N libs aATTAR.
ei syf cl
Atmrprti : Oute Igh : Rol ecnenheeennsinLsnaa : Gp utieo rsns it
mmn usekesjierer rawe em
Eisaaeru : Mthls en snia e
zo fw i
Atmrprti : OuteIgh : Rol ecnen
Hde : Ac cuirb
Eisaaeru : Mthls en sniaclhohm ib oorgtanthuiube
Smehne : Fsrantt rfan, f zo fw i
st nytt lnmeornpiamnemmpw
ti ei sorcs msitf elnnem Hde : Ac cuirbIgh : Rol ecne
mreoi nke seeftt aeiro
ngkt if Smehne : Fsrantt rfan, fEmgti : Swdw eetu naa, s.
ol, whatev
clear (that's clear) color (that's clear)
vargnattan grav vargnattan grippy
sdfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf
looking for an loganiaceous faerie idea
ddjjjjjjjjjjjjjjjjjjjjjjjjjjjjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf (limp)
i i i i had this wonderful enlightenment this morning, or it was someone
dried grub steam leach introverted, scantness arpeggios fromm.
the adventure, what's that? something out of control?
position, pling, seventh floor
i should pay some attention to my body before it's to late sellout shown
list of countries drinking milk, pale-faced anemic animited.
yeah it'
in f -a
to s siar
1. a small, roun we arrii want
the ?
6. Teleg. a signal of 2. a minute or small detail.
the dots dashe
11. to stud or diversi 9. the year d
?v 10. to mark w9. the year
[bef. 1000; perh. to be i butdas
det.
ere wer a
"SNOWBALL EART "SNOWBALL EARTH":
thermal vents or living u "SNOWBALL EARTH": I'm a pand he ap -whe he stopped
"SNOWBALL EARTH": BACTERIA: living 2.3 billion y
blue-green algae, gained r duh w ro omnk &marcela ü sheperdess & ùro om r aac
e r a [mbi [ afand I andHe and I ne and he He-o an and he kno and I then h
then he
have released a paper prese you t eamn of p i washand I i was for tea the
take a he stopped in thaTHAT OXYGEN: I reacted w.
date imag
- art.ascii versus ascii.art, image/text, of double precision srand microtime
here where data becomes source, stream becomes monitor.
uncenter, kind of relaxing, the sublime/garbage - the circle, little tag, ip,
Appendix / Til�g
microtime()*1000000) tekst.
- bildet representerer ikke lenger noen uendelighet i form av skiftende
ambisi�st kunstprosjekt g�r ut p� � oversette line�rtid til looptid. En
regress
"Er jeg tr�tt eller dum?"
ingen naturlighet i noe. 4 kan ligge mellom 6 og 7. Stakkars 4. Kunsten ligger
syns nesten synd p� han, d�rlig v�r var det, og han virket snill, dvs dum og
er umulig - det virkelige er det ingen vits � tro p� siden det finnes, det
m� skapes? aha.. Er det som reelle tall, ikke naturlige, samt de irrasjonelle
og
passe p� s� den hele tiden ikke finnes. Hele tiden ikke finnes - gir den fra
seg
naive, blir svimle av enkle diagonaler, vi spurte n� bare hvis du er 1 og han
er
det v�re en m�te � komprimere p�, at 4146341463415 ligger i 58/41, d�rlig
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of course
metaphor as an extension of metaphor
writing is no trouble, you just jot down ideas as they occur to you
most good writing is clear, vigorous, honest, alive, sensuous, appropriate, unsentimental, rhytmic, without pretention, fresh, metaphorical, evocative in sound, economical, authoritative, surprising, memorable and light!!
good writing is envoke the image it expresses
i always good writing
creative writing course - how to write good, two be original and lively, and so on
writing begins with an intense personal feeling, iness vagueness, uncertainty and dullness
many words have interesting original meaning
(i think)
descriptive writing - here and see hear and sea
careless, proud indifference
it has been brought to my intention - the more cylinders a word has
the short story - intro, development, climax, conclusion
design, development, execution, output, armpit
you should be subordinate, and action died direct of incidentes from and the they event, the climax [programming]
ideally the story should be climactic, if the story has been so constructed that when the climax is ready the harrative is logically ended, then climax and conclusion is one
i think it's awful but also think it's funny
what happens when we're divided? when we're whole? wholly divided? this is the entangled. nothing will happen, everything will evolve. cruelty by nonsense. we take nonsense seriously. handwriting is not very serious. ascii seems serious, fine art.
i don't go there, but i watch it on television. what's the difference, warm/cold, can we heat chill at all
well for most it's the same everywhere, but the value is in difference! aHAHA hahahoh well not every joke can be funny. i forget what book this is - no it's a movie. the value is in difference.
so your aunt plays the guitar
pictures? no pictures
text? nothing
something? yes, yes
what? yes, yes
what what? yes yes
are there commas? ,
other separators?
you mean space?
all dimensions are sequential
the kind of structure to choose for your application is up to your imagination is up to your structure
one door leads to a desert, and another to the antarctic, when you go through the desert you are in a antarctic, but you can still walk back through the door if you do it backwards
well for art - mostly we read so why not text?
you walk through the door and you don't see the door from the other side
one good way, two no two way
would this be better in another way
the columns are independent of each other, independent is dependent on dependent, even worse
lists, arrays, and messes
one-directional links like this sentence dislike links one-directional
it is often hard to visualize a mess which is why we call it a mess
it is often hard to x y which is why we call it a y
it is often hard to generalize z which is why we call it a z
all things here are two-directional, you can always find your way back. horrific
pictures are taken away from us
everything is
everything is singular
god knows why
god is singular
good gods
goods
something
there's more info in something than something spesific
there's more info in a picture than reality
there's more info in a general term
in a situation of unbalance adjust
info is adjusted
at the cost of entropy
calm down through time
the old couple says we're getting old
plural is singular
singulars
walking around in your head
how vain
what else is there to do
bother
you're my bother
mirror mirror
that's on the same level as vain
vein is on the level of time
btw, btw is on the same level
with level i mean potential energy
state
the economy of the state
there's oil of dinosaurs
this goes on
endless semiosis
kill all!
shoot to kill!!
there were shootings
the event can't be singled out
eventualities = possibilities
in the end only possible states
shoot to kill again
what takes place is dead
this somehow looks better from the other side
i mean reading seen from writing
writing seen from reading
these are signifier and signified i think
writing is signified divided with signifier
reading is one divided with writing
this is very easy
if writing is 34958450934568
then reading is 1/34958450934568 = 2.86*10^-14
the larger the number is the less significant
it's raining like sleep
the level of noise correlated to arousal and stress
it makes us sleepy yes
it's reading/writing
arousal is sleeping
all books are sleeping
good writing envokes images
like hell
good writing envokes hell
that's an image
hey, an image, thanks pal!
i'm hungry
the image of hunger
can i write this in dimensions
the paper lacks something
the something
something is lacking something
really?
if it didn't it could be
well i have this thing
hidden in my pajamas pocket
that doesn't lack anything
except lack
that's human emotions etc
a long thread
i take it back
lack and freedom
freedom from lack, lack of freedom
like writing/reading
which is more free?
there you see
the reading seem to lack something
the writing seem too free
what is called interpretation on one side
it's the same again
different words for the same thing
different things for the same word even
i don't know what is worst
this name has several persons
this word has several meanings
is the name attached to the person, or person attached to name?
this meaning has several words
you're far out
then how come i'm 'you' to you unless you're here too
degrees of intensity
calm down and be free
be dead and be lacking and lacking be
the double keeps you there
if not you wouldn't be here
it ruins things and ideas
the idea-thing or thing-idea
the dog was looking for it all day
i'm finished
you can continue
take care of your teeth
i'll give you an advice
first, open your mouth
then, let's see
oh, you already see?
well, then you're cured
cured of what
yes
every word is a thing
don't act surprised
you may act but not surprised
conveyor belt
are you me or not?
all the tokens are the same
what oxymoron
they might be brothers
bothers the are
if you knew the border between private and public you'd have a long sentence
everything
well somewhat, all over again
i denoted your sister but only connoted your mother
these should be on the same line
but then again, everything melts together
how to break
why ask?
is that a question?
it continues
the glass broke very artificially
it could be a project
the project ended in a crash
leave me alone
close the door
what i mean is the structure is the same
it's a natural structure, seen everywhere
is the comma natural?
you stained my glasses
everything adds
nothing substracts
then how come there is lack?
it means equality may
something is missing
if you have a word, is there a lack?
the slowness of something
there are always gaps
run in slow-motion they're visible
a thing to itself has no gap
but the sentence has a recursion
implicit
it's very explicit
the lack is explicit
and then the word is implicit?
the states doesn't know about each other
what does the newline or paragraph mean?
the paper-text is limited in dimension
to say the least
well there's compromise
we've only got two eyes
rest are apostrophes
we calculate depth
it's horrible!
all the ghosts in the world come from the calculation
segnar oys
something? yes, yes
what? yes, yes
what what? yes yes
are there commas? ,
other separators?
you mean space?
all dimensions are sequential
ophla ethfanis vo gmaht
ynit no gnodnefed
the kind of structure to choose for your application is up to your imagination is up to your structure
one door leads to a desert, and another to the antarctic, when you go through the desert you are in a antarctic, but you can still walk back through the door if you do it backwards
well for art - mostly we read so why not text?
oshe arav s'ti
you walk through the door and you don't see the door from the other side
one good way, two no two way
would this be better in another way
the columns are independent of each other, independent is dependent on dependent, even worse
lists, arrays, and messes
one-directional links like this sentence dislike links one-directional
it is often hard to visualize a mess which is why we call it a mess
it is often hard to x y which is why we call it a y
it is often hard to generalize z which is why we call it a z
blusrhey ,ktnarap ,snoedelor ,stmohrf
ymin tna lla n'i
all things here are two-directional, you can always find your way back. horrific
pictures are taken away from us
everything is
everything is singular
god knows why
god is singular
good gods
goods
something
there's more info in something than something spesific
there's more info in a picture than reality
there's more info in a general term
cronrobgnort
in a situation of unbalance adjust
info is adjusted
at the cost of entropy
calm down through time
the old couple says we're getting old
plural is singular
singulars
walking around in your head
how vain
what else is there to do
bother
you're my bother
mirror mirror
that's on the same level as vain
vein is on the level of time
slanenrht
btw, btw is on the same level
with level i mean potential energy
state
the economy of the state
there's oil of dinosaurs
this goes on
endless semiosis
kill all!
shoot to kill!!
there were shootings
the event can't be singled out
eventualities = possibilities
in the end only possible states
shoot to kill again
what takes place is dead
this somehow looks better from the other side
i mean reading seen from writing
writing seen from reading
?esnhuc thet gaed
riethrb mripnu im
these are signifier and signified i think
writing is signified divided with signifier
reading is one divided with writing
this is very easy
if writing is 34958450934568
then reading is 1/34958450934568 = 2.86*10^-14
the larger the number is the less significant
it's raining like sleep
the level of noise correlated to arousal and stress
it makes us sleepy yes
it's reading/writing
arousal is sleeping
all books are sleeping
good writing envokes images
like hell
good writing envokes hell
that's an image
hey, an image, thanks pal!
tanomah hm n'i
?niit snakniht x'eow
tavol
tiit
i'm hungry
the image of hunger
can i write this in dimensions
the paper lacks something
the something
something is lacking something
really?
if it didn't it could be
well i have this thing
hidden in my pajamas pocket
that doesn't lack anything
except lack
that's human emotions etc
a long thread
i take it back
ycil dhn nenuh
lack and freedom
freedom from lack, lack of freedom
like writing/reading
which is more free?
there you see
the reading seem to lack something
the writing seem too free
what is called interpretation on one side
it's the same again
different words for the same thing
different things for the same word even
i don't know what is worst
this name has several persons
this word has several meanings
ris
it's lapful, vower bootblack, vier lawks yaw are...
is the name attached to the person, or person attached to name?
this meaning has several words
you're far out
then how come i'm 'you' to you unless you're here too
degrees of intensity
calm down and be free
be dead and be lacking and lacking be
the double keeps you there
if not you wouldn't be here
it ruins things and ideas
the idea-thing or thing-idea
the dog was looking for it all day
i'm finished
you can continue
take care of your teeth
i'll give you an advice
first, open your mouth
then, let's see
oh, you already see?
well, then you're cured
cured of what
yes
every word is a thing
don't act surprised
you may act but not surprised
conveyor belt
are you me or not?
all the tokens are the same
what oxymoron
they might be brothers
bothers the are
if you knew the border between private and public you'd have a long sentence
everything
well somewhat, all over again
i denoted your sister but only connoted your mother
these should be on the same line
but then again, everything melts together
how to break
why ask?
is that a question?
it continues
the glass broke very artificially
it could be a project
the project ended in a crash
leave me alone
close the door
what i mean is the structure is the same
it's a natural structure, seen everywhere
is the comma natural?
you stained my glasses
everything adds
nothing substracts
then how come there is lack?
it means equality may
something is missing
if you have a word, is there a lack?
the slowness of something
there are always gaps
run in slow-motion they're visible
a thing to itself has no gap
but the sentence has a recursion
implicit
it's very explicit
the lack is explicit
and then the word is implicit?
the states doesn't know about each other
what does the newline or paragraph mean?
the paper-text is limited in dimension
to say the least
well there's compromise
we've only got two eyes
rest are apostrophes
we calculate depth
it's horrible!
all the ghosts in the world come from the calculation
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